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Oct 21, 2019

9:22 AM

VIJAYANAGARA - CITY OF VICTORY


INTRODUCTION 

  1. Vijaynagar is also called “city of victory” from its name vijaya meaning “victory” and nagara meaning “city". Presently known as Hampi. 
  2. Vijaynagar empire (1350-1565) was founded by Harihar and Bukka also called the Sangama brothers. It is situated on the bank of Tungabhadra river. 
  3. Its power peaked under Krishnadevaraya (1509-29), when it controlled nearly the whole of the peninsula south of the Krishna and Tungabhadra rivers. 
  4. A number of temples, monuments, palaces and other structures were built during this period.

vijaynagara-city-of-victory-indian-architecture-dravadian-south-indian


ARCHITECTURE 

  1. Vijaynagar style of art is a combination of the Cholas, Pandyas, Chalukya-Hoysala and the Indo-Islamic art of the Bijapur region.
  2. Its stylistic hallmark is the ornate pillared Kalyanamantapa (marriage hall), Vasanthamantapa (open pillared halls) and the Rayagopura (tower).
  3. Another element of the Vijayanagara style is the carving of large monolithic sculptures.
  4. Vijayanagar architects concentrated on building enormous halls however many additions were made to existing temples in an effort to enlarge them rather than construct them. 

vijaynagara-city-of-victory-indian-architecture-dravadian-south-indian


DEVELOPMENT OF TEMPLE COMPLEX


  1. Concentric series of rectangular enclosure walls with the gopuras (towered gateways) in the middle of each side and main temple in the center.
  2. Gopurams became taller with enhanced richness in the sculptural details.
  3. Absence of mortar in their construction.
  4. Distinct scheme of decoration in terms of architectural space.
  5. Another major feature is the carved pillars - with the rearing simhas (lions), yalis (lions with elephant trunks.
  6. The spacious mandapams became even larger .
vijaynagara-city-of-victory-indian-architecture-dravadian-south-indian

  1. Decorative friezes were utilized on the plinth moulding, caves, gopuras, pillars etc.
  2. Separate shrines were also made like the Amman shrine ,usually north west to the temple to keep an image of the consort if deity.
  3. The construction of several mandapas, the Kalyana mandapa being the most conspicuous among them, was a notable feature of the period.
  4. It was usually north west to the main temple.
  5. The pillars had been adorned with characters of Indian mythology.
vijaynagara-city-of-victory-indian-architecture-dravadian-south-indian

Oct 20, 2019

6:02 AM

KHAJURAHO


INTRODUCTION

One of the most refined and finished manifestations of indian architecture in the indo-aryan style is found in a group of temples at khajuraho in central india. These temples have weathered the climate for a thousand years but still stand well preserved and in a good condition .Situated over a hundred miles south-east of the town of jhansi, these temples are over thirty in number,most of them occupying a site measuring a square mile in extent.

khajuraho-indian-architecture-old-madhypradesh-heritagesite


HISTORY OF KHAJURAHO 


Two rajput families the pratihara dynasty(8th-11th century) and the chandela dynasty(10th-13th century), from west india advanced into the northern and centeral parts of india and established their kingdoms khajuraho, later called bundelkhand was the capital of chandela dynasty. once there were 85 beautiful temples but now only 30 are left.
    khajuraho is situated in a valley which is surrounded on all sides by hills. It is in a rugged territory and the terrain is extremely difficult. Rocks and thick jungles abound. Except rainfall, water is scanty. Rain water is stored in several tanks and lakes. Subterranean water, of indifferent taste, is the main source of water supply. The land is not fertile and there is little agriculture. The only consideration which lead the chandelles to found there capital at khajuraho was its terrain which accorded the city an excellent protection against invasion. This region has a developed stone art to its most sophisticated standards. 

STRUCTURAL ELEMENTS OF THE TEMPLES

khajuraho-indian-architecture-old-madhypradesh-heritagesite
  1. The temple, in general, stands on a jagrati (terraces) which in a number of cases had karnaprasadas (subsidiary shrines at corners). 
  2. Sometimes a smaller shrine faces the main temple, the former containing the vahana ( vehicle) or avatara (incarnation), or the devi of the diety enshrined in the latter.
  3. The garbhgraha is its pivot from where the temple expands horizontally. On the talacchanda(ground plan) and vertically on the urdhvacchanda( elevation).
  4. The general plan has a mandapa infront of the garbhgraha, the ardha -mandapa( entrance portico) and the mukhacatuski (porch) facing the whole. 

subsidiary shrines at corners
THE VARIOUS TEMPLES OF KHAJURAHO

  1. The Eastern group
  2. The Eastern group  (jaina) 
  3. The eastern Group  (brahamical) 
  4. The southern Group (brahamical) 
SITE VISIT PHOTOS - 

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khajuraho-indian-architecture-old-madhypradesh-heritagesite

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khajuraho-indian-architecture-old-madhypradesh-heritagesite

Oct 18, 2019

3:44 AM

ARCHITECTURAL SOFTWARE FOR MOBILE


INTRODUCTION - 


‌Being An Architect you are always in touch with these softwares , We use AutoCAD In regular basis , without AutoCAD it will like Architect has no hands , In Architecture field , this is most important software for An Architect , Draft man , Structure engineer etc . But after office or without laptop , Our work can't go ahead . Although we can't do our work in mobile or Tablet but we would must like to see and check our files in mobile . In Architect office , People work on Not only in AutoCAD but also more software like  3D google sketch up or Revit for graphics Photoshop . Here I m describing few softwares for mobile , also form where ,  we can download it . 

  1. AutoCAD 360 viewer
  2. Sketch up viewer
  3. Revit file viewer
  4. Photoshop file viewer
AutoCAD 360 viewer - 


This is also a software of Auto desk company . Company developed It for mobile phone and tablets . In AutoCAD 360 mobile , we can view our files in it and can make some corrections . Persons who can't give more time in office , it will be more useful for them. We can download it from google play store .

architectural-software-for-mobile-Autocad-sketchup-revit

‌Sketch up Viewer - 

This is the software of Trimble Inc. Company . Which Sketch up , we use in laptop , That's developed by Google . But sketch up viewer mobile is also works as Sketch up . As my personal experience I can say we can't make difference after using it. But this is a viewer software . You can see your sketch up file properly but can't make corrections . We can download it from google play store .
architectural-software-for-mobile-Autocad-sketchup-revit
‌A360 viewer - 

This is also developed by Auto desk . It can use for open our Revit files. Dwg , Rvt etc files can be opened in it . Rivet is also 3d software of Autodesk company like 3ds Max .We can download it from google play store .



architectural-software-for-mobile-Autocad-sketchup-revit
Photoshop- 


Photoshop or Adobe Photoshop . This is totally different form laptop Photoshop . Because laptop Photoshop is big software to work that's why company breaks it in 3-4 parts for mobile . These 3-4 Photoshop software may be used as photoshop work in mobile .We can download it from google play store .

architectural-software-for-mobile-Autocad-sketchup-revit




Oct 17, 2019

1:58 AM

HOW TO DOWNLOAD AUTOCAD , REVIT , MAX , LUMION , PHOTOSHOP



INTRODUCTION

In architectural field , everyone requires all of these software for Drawing , modelling , Rendering , graphics but if we want to buy, it will be costly for us . Every year Autodesk or Another company launch higher version of any software and people always want new feature to use , But it’s not possible with older version . And People also don’t like to purchase a software every year . here , I have a trick to download any version of any software with crack and licenced . 

Step – 1 

Type “ The pirate bay “  on Google search bar 

how-to-download-autocad-revit-max

 Step - 2 

Click on the first link , you will see in google search .

Step - 3 

Click on server of country from which you belong .
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Step - 4 

click on browse torrents

how-to-download-autocad-revit-max

Step - 5

in search bar – type  software name with version
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 Step - 6 

After this,  it will show number of links , from which link you want to download , move you mouse pointer there , and  right click and open a new window . 
how-to-download-autocad-revit-max

Step - 7 

In this page , It will show " Get this Torrent " click on it and it will " Open magnet URI " Before doing this , Download torrent software like vuze , utorrent etc in your devices  .

how-to-download-autocad-revit-max
Step - 8

This link will open in your torrent software . click ok and it will start .

how-to-download-autocad-revit-max


Oct 16, 2019

9:25 PM

DIFFERENCES BETWEEN A TEMPLE AND A MOSQUE



TEMPLE

  1. Abode of mystery.
  2. In no time a phantom of darkness with dim cells surrounds it.
  3. The focal point is a sacred chamber deep within the labyrinth of its endless corridors.
  4. Complex and determined.
  5. The walls are pulsed with imagination.
  6. Inscription art is rare. Economography and carved motif composition.
  7. The natural markings and textures of the stone have a vivid and colorful effect depending on the shape.
  8. Orientation EV
  9. against. Theory - Trotter
  10. Dry masonry
  11. The horizon
  12. Architecture is almost entirely confined to temples.

differences-between-temple-and-mosque-mughal-india



MOSQUE

  1. Clarity of mosque
  2. Courts open to light and air with many doorways inviting publicity
  3. No need of a central shrine
  4. Wholly visible and intelligible
  5. Representation of natural forms is prohibited
  6. Decorative lettering in sculptured texts
  7. Broke up the wall surfaces in patterns of diffrent colored marble painted plaster, glazed tiles
  8. Orientation towards Mecca
  9. Mortar masonry
  10. Skyline- Dome
differences-between-temple-and-mosque-mughal-india
Add caption

BUILDING TYPES OF ISLAMIC ARCHITECTURE
  
  1. MOSQUES
  2. TOMBS
  3. CITIES
  4. FORTS
  5. GARDENS
  6. TOWN GATES
  7. PAVILIONS
THE ELEMENTS OF ISLAMIC ARCHITECTURE 
  • DOMES

differences-between-temple-and-mosque-mughal-india
  • ARCHES
differences-between-temple-and-mosque-mughal-india
  • MINARETS
  • SQUINCH
  • ARABESQUE



differences-between-temple-and-mosque-mughal-india


5:24 AM

MALWA - THE CITIES OF DHAR AND MANDU


INTRODUCTION


  1. Malwa – a region towards the west center of the country.
  2. The provincial style of Indo-Islamic architecture in Malwa speaks of 2 cities- Dhar and Mandu.


MANDU – THE CITY OF JOY 


  1. Alp khan gauri laid the foundation of the most grand and dramatic forts of islamic arch.
  2. Was made the capital for security reasons
  3. An area of 31sq.Km. Within fortress walls over 25miles in circumference .      


malwa-cities-of-dhar-and-mandu-indo-islamic-Architecture-madhyapradesh

Salient features 


Monuments at Dhar and Mandu have various elements derived from various styles of buildings at Delhi such as, Battered walls and pointed arch with spear-head “fringe” of early Tughlaqs Arch-lintel-bracket combination of Firuz, forming it out of the temple materials “Boat-keel” dome and pyramidal roof of Lodis. 
Combining two structural systems of arch with pillar and beam,forming out of temple material .
Long and stately flights of steps leading to their entrances. 
Elements of colour Polychromatic ornamentation. Colour effect obtained by 2 methods 
  • Coloured stones & marbles 
  • Encaustic tiles have been used 
Material Actual masonry is of sandstone of lovely red shade, obtained from adjacent quarries of Bijawar. 
White marble was used as an overlay. Black, yellow, slate colours and in the interiors, semi-precious stones such as jasper, agate & cornelian have also been used. The most colouristic effect was obtained by glazing. 
Borders and panels in patterns of strong but harmonious blues and yellows painted on tiles. 

 Important monuments of Malwa
  1. Jami Masjid (1440 A.D.)
  2. Tomb of Hushang Shah (1440 A.D.)
  3. Ashrafi Mahal
  4. Royal Palace Complex
  5. Chanderi Kushk Mahal (1445 A.D.)
JAMI MASJID 
  1. Begun by Hoshang Shah, son of Dilawar Khan Ghuri & finished by his successor Sultan Mahmud I about 1440A.D.
  2. 2 subsidiary entrances on the northern side also for the use of priest & zenana.
  3. Entrance hall bears Coloured borders and panels in glazed tiles.
  4. The pillared halls on north & south sides are 3 aisles deep, that on east is 2 aisles deep while that on west has 5 aisles.
  5. Covers a sq. of 288’ side and on its eastern front, it is prolonged another 100’ by a projecting domed entrance hall & a wide flight of steps.
  6. Courtyard (162’ sq.) is surrounded by domed arcades, 11 openings in each side.
malwa-cities-of-dhar-and-mandu-indo-islamic-Architecture-madhyapradesh

malwa-cities-of-dhar-and-mandu-indo-islamic-Architecture-madhyapradesh

  1. The domed turrets and piers are those of Firuzian style but the arches retain the ogee profile.
  2. Sanctuary has 3 large domes and the entire formation of the roof is covered with cylindrical cupolas, one being placed over each bay of the interior
  3. Sculptured mihrabs at regular intervals in the qibla wall,& an elegantly designed member in the central bay.
  4. The domes of the Jami masjid’s prayer hall, echoing that of the entrance pavilion, are in turn echoed by Hoshang Shah’s tomb beyond the qibla.
TOMB OF HUSHANG SHAH

  1. Built by Hushang shah Ghuri in 1440.
  2. Completed by his successor Mahmud Khalji.
  3. Whole building is a square structure on a broad plinth, surmounted by a large central dome with a cupola at each corner.
  4. Situated on the west wall of Jami Masjid.
  5. Stands in the centre of a square enclosure.
  6. Domed portico on north side of enclosure.
  7. Pillared cloister along the west side, for devotions and accommodations.
  8. Triple openings on two of its sides.
  9. Central archway on the south providing the doorway.
malwa-cities-of-dhar-and-mandu-indo-islamic-Architecture-madhyapradesh


Oct 15, 2019

8:54 PM

RUMI DARWAZA


INTRODUCTION

      The Rumi Darwaza, the main gateway of the BARA IMAMBARA complex is standing horizontally on the old Hardeo Road. Rumi Darwaza is one of the most impressive gateways not only in Lucknow or India but also the whole world. The gateway lays Northwest of Bada Imambara. It is interesting to note that Nawab Asaf-ud-Daula, like the Bada Imambara, also commissioned Rumi Darwaza. 


rumi-darwaza-awadh-Architecture-lucknow


     
 It was constructed in the year 1784 by Nawab Asaf-ud-daula. The Rumi Darwaza is an example of the fine architectural style of Awadh. The Rumi Darwaza of Lucknow is also known by the name of Turkish Gateway since it is supposed to be identical in design to a similar gateway in ancient Constantinople. The word "Rumi" is derived from the modern day Rome that used to be Istanbul, the capital city of Eastern Roman Empire. The Rumi Darwaza is one of the finest gateways that has been built in Lucknow and is highly inspired by a similar gateway in Istanbul.

rumi-darwaza-awadh-Architecture-lucknow
   
    
The Rumi Darwaza goes up to a staggering height of 60 feet. The uppermost part of Rumi Darwaza comprises of an octagonal Chatri (Umbrella) carved beautifully that can be accessed by a staircase.      

    Thisloftly archway consists of an 18.28- meter high portal surmounted by an elaburate cupola and flanked by cusped windows with octagonal bastions at the sides .

     The architect of rumi darwaza designed a unique, massive gate way with recessed arches, both plain and cusped,in lakhauri brick and thick lime plaster with floral motifs crowning the apex of inner arch. The outer arch has bold and broad lotus petals alternated by solid turrets with floral pattern. The mughal element is noticeable in the minarets, crowned by octagonal chhatris.


rumi-darwaza-awadh-Architecture-lucknow

  
   The apex of outer arch is crown by an octagonal domed kiosk, which has added considerable symmetry and grandeur form. On the western side, the gateway has three openings. The actuate ceiling is decorated with floral motifs. On top of the Rumi Darwaza was kept a huge lantern that would light up the structure at night making it look absolutely fabulous. Little jets of water would rush out of the sides of the arch from beautifully carved flower buds thus making it look like a gateway to Paradise. The beautifully carved flowers and designs speak volumes about the unique architectural style and eye for detail. The Rumi Darwaza is truly a splendor.
1:09 AM

JAHANGIR’S TOMB


INTRODUCTION


Jahangir died in rajauri, as he was leaving lahore for kashmir. His body was brought back to lahore and buried in nur jahan's garden, on the banks of the river ravi. Jahangir’s tomb was built in a.D.1626 at shahadara (lahore)by his wife Noor jahan. It is a 325 ft. (99 m.) Side square structure.

jahangirs-tomb-mughal-Architecure
Jahangir'tomb 



  1. There is huge 1,500ft.(457.3m.)Square garden within which the tomb is set.
  2. The ground covers 55 acres & are laid out in the classical charbagh pattern with bisecting perpendicular paths.
  3. It is divided into 16 equal squares with a fountain & a pool to mark each intersection.
  4. The entire structure constructed by brick with applied colour surfaces. 
  5. At each corner of which are planted 100 ft high minarets.  
  6. The central octagonal chamber is separated from the outer surrounding arcades by walls 19 m thick.
jahangirs-tomb-mughal-Architecure

At each corner of the square structure are planter 100 ft. (30.5m.) High octagonal minarets rising in five segments.  The shaft is decorated in chvrons of pink & white marble & a domed kiosk crowns each minaret. To the west of the charbagh tomb garden, there is a related, rectangular enclosure known as the Akbari Seria, which served as the forecourt, or chowk-i jilo khana, for the mausoleum.  Originally, the crypt had a second floor; a platform still exists, built on top of the large square one.  It is, however, believed that the second story remained unroofed: before his death, Jahangir, like his ancestor Babur, had requested that his tomb be left open to the sky.  A small mosque stands at its western wall.
12:51 AM

TOMB OF HUMAYUN


INTRODUCTION

Humayun's Tomb is now one of the best-preserved Mughal monuments in Delhi. The tomb design is attributed to Sayyid Muhammad and his father, Mirak Sayyid Ghiyath - Persian architects . The tomb is situated south of the Old Foart , on the eastern edge of Delhi. It is set in the center of a garden in the classical Mughal char bagh pattern. 


One of the earliest constructions of the Mughal era is Humayun's Tomb, a large complex, with a garden divided into quadrants (char bagh) and the mausoleum in the middle. Humayun designed it as a garden for the public and after his death, his senior Queen, Haji Begum, built his tomb there. It took 9 years to complete. The tomb is in the centre of a 10-hectare plot.



tomb-of-humayun-mughal-hajibegam



The garden is divided into four parts by two bisecting water channels with paved walkways. which terminate at two gates - a main one in the southern wall, and a smaller one in the western wall.
  1. The tomb sits at the center of a plinth, about 21feet (7m) high.
  2. The top of its central dome reaches 140 feet from the ground.
  3. The dome is double-layered; the outer layer supports the white marble exterior facing, while the inner one defines the cavernous interior volume. The rest of the tomb is clad in red sandstone, with white marble ornamentation .
Built with red sandstone and marble, it has a dome and became the prototype for Mughal mausoleums. In true Persian style, there is an iwan in the centre of each side. The shape of the mausoleum is square, a sign of the influence of Jain architecture on the Mughals. Also called a cenotaph, the actual tomb is in a basement under a chamber. This concept was brought down from central Asia by Mughals, who are Mongol descendants. 
  Humayun's Tomb. Similar to the Taj Mahal in purpose, however as mentioned earlier this tomb was built by the wife for her husband, the king. It inspired several major architectural innovations, culminating in the construction of the Taj Mahal. Notice the people standing in the center of the picture at the base of the tomb.
tomb-of-humayun-mughal-hajibegam
PLAN



Oct 14, 2019

6:39 AM

INDUS VALLEY CIVILIZATION

INTRODUCTION


Discovered in 1856 A.D., When a railway track between Karachi and Lahore was being laid.Two great cities were discovered


1. HARRAPA excavated by Madho Sarup Vats in Punjab

2. MOHEN-JO-DARO by Sir John Marshal on the Indus River


PLANNING


  1. Highly advanced system of town planning
  2. Built up directly as urban centers planned as integrated units
  3. Citadel with fortified walls enclosing big buildings used for some public , royal or religious purpose rested on high mud – brick platforms
  4. Lower city laid out on grid-iron pattern
  5. Main streets 10m wide in E-W and N-S directions intersecting each other at right angle.
  6. Main streets divided the area into regular rectangular or sq. Blocks containing dwelling houses, shops and factories, with access to smaller streets and lanes.
  7. Houses always opened on these alleys and side streets.
indus-valley-civilization-india-history


BUILDING MATERIALS AND CONSTRUCTION 

  1. Kiln-burnt bricks for construction of defense works, important Buildings and walls of houses.
  2. Sun-dried mud bricks to raise platforms and to fill in floor areas and courtyards.
  3. Bricks were cemented together with mud mortar.
  4. Laid in English bond – a course of stretchers alternating with a course of headers.
  5. Mud plaster for inner walls .

DRAINAGE AND WATER SUPPLY

  1. Houses had their own private bathrooms
  2. Bathroom floors paved with burnt bricks , sloped into one corner
  3. House drain carried the soiled water to the street conduit, 30-60cm. Deep covered with bricks or stone
  4. At regular intervals – traps for inspection and manholes
  5. Street channels opened into bigger corbel-vaulted sewers that emptied into the river
indus-valley-civilization-india-history

THE GREAT BATH

  1. Chief building In the mohen-jo-daro is citadel .
  2. A complex of verandahs and rooms ranged around the sides of a rect. Pool 12x7m with a depth of 2.44m laid in n-s axis
  3. Flight of steps on the shorter side leads to 30cm high platform
  4. The floor and walls of the pool made of neatly fitted bricks coated with bitumen to make them waterproof
  5. Floor sloped towards the drain hole


4:27 AM

AGRA FORT

INTRODUCTION

      It was one of the several large fortified residences which this emperor caused to be raised at various strategic points in his dominions. In plan this great stronghold takes the form of an irregular semicircle with it’s chord 2700’ in length, lying parallel to the right bank of the river Jumna. One of it’s most remarkable feature is its massive wall which consist of a solid sandstone rampart just under 70’ in height & nearly one and a half miles in circuit. It was the first application of dressed stone on such a large scale. From top to the bottom the fire- red stones , linked by iron rings are joined so closely that even a hair cannot find its way into their joints. The walls were treated as a work of fine architecture, for into its structure were embodied such features as battlements, embrasures, machinations & string courses , all so skillfully designed & disposed as to give this very substantial fabric considerable aesthetic character. There were two gateways, One on the southern side being intended for private entry, but that on the west known as THE DELHI GATE was the main entrance & accordingly designed in keeping with the noble rampart on its flanks.
islamic-architecture-agra-fort-mughal


      It was one of the most commendable achievements of his period. Its front consist of two broad octagonal towers joined by a archway, while the back is an elegant facade with arcades terraces above, surmounted by cupolas, kiosks & pinnacles. Its dimensions allow a number of commodious rooms to form the interiors, providing quarters for a considerable guard. From every point of view a most attractive appearance has been given to this structure by means of arcades, arched recesses & other architectural & decorative features.The ornamentation throughout is rich & varied, consisting of patterns in white marble in lay, which against the warm red sandstone background are most effective. One motif, repeated in the borders, is a conventional repetition of the bird, introduced into the design. It is significant of that spirit of toleration which marked all the movements of this emperor’s rein. The buildings of the Akbar period are remarkable for their animation which reflects the spirit of the time. Within the area enclosed by the walls of this fortress, the AIN-I-AKBARI states that there were built” upwards of five hundred edifices of red stones in the fine styles of Bengal & Gujarat”. Most of this earlier structures were demolished. The most complete of these remains is JAHANGIRI MAHALL. ELEPHANT GATE (HATHI POL) It is now main entrance to the eastern tower of Jahangir’s quadrangle & covers the large space of 480 yards in length & 17 yards in height. The subjects, each of which is in a panel conforming to the surface design of the wall, are mostly of a sporting character, such as elephants combats, games of polo,& hunting episodes, while figure compositions & floral devices also find a place in the scheme.